War and Genocide: A Concise History of the Holocaust
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Unlike many other treatments of the Holocaust, this revised, second edition discusses not only the persecution of the Jews, but also other segments of society victimized by the Nazis: Gypsies, homosexuals, Poles, Soviet POWs, the handicapped, and other groups deemed undesirable.
Eichmann in Jerusalem: A Report on the Banality of Evil
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This report on the trial of German Nazi leader Adolf Eichmann first appeared as a series of articles in The New Yorker in 1963. This edition contains further factual material that came to light after the trial, as well as Arendt's postscript commenting on the controversy that arose over her book.
A History of the Holocaust: From Ideology to Annihilation
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Told with scrupulous attention to detail and accuracy, this text examines the causes and events of the Holocaust, providing important background information on Jewish life in Europe, the functions of the hierarchy within the Nazi government, and the psychological foundations of prejudice.
Law, Antisemitism and the Holocaust
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This work explains the relationship between law and antisemitism through a discussion of issues by critical thinkers from the mid-nineteenth century to the present; that is, from Marx to Agamben through Nietzsche, Sartre, Adorno and Horkheimer, Arendt and Lyotard.
Roots of Hate: Anti-Semitism in Europe before the Holocaust
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In this 2003 book, William I. Brustein offers a truly systematic comparative and empirical examination of anti-Semitism within Europe before the Holocaust. Brustein proposes that European anti-Semitism flowed from religious, racial, economic, and political roots, which became enflamed by economic distress, rising Jewish immigration, and socialist success.
Night
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Night is Elie Wiesel's masterpiece, a candid, horrific, and deeply poignant autobiographical account of his survival as a teenager in the Nazi death camps.
The Diary of a Young Girl
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Discovered in the attic in which she spent the last years of her life, Anne Frank’s remarkable diary has become a world classic—a powerful reminder of the horrors of war and an eloquent testament to the human spirit.
Number the Stars
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As the German troops begin their campaign to "relocate" all the Jews of Denmark, Annemarie Johansen's family takes in Annemarie's best friend, Ellen Rosen, and conceals her as part of the family. Winner of the 1990 Newbery Medal.
The Book Thief
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It is 1939. Nazi Germany. The country is holding its breath. Death has never been busier, and will become busier still. Liesel Meminger is a foster girl living outside of Munich, who scratches out a meager existence for herself by stealing when she encounters something she can't resist-books. With the help of her accordion-playing foster father, she learns to read and shares her stolen books with her neighbors during bombing raids as well as with the Jewish man hidden in her basement.
Admitting the Holocaust: Collected Essays
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In the face of the Holocaust, writes Lawrence L. Langer, our age clings to the stable relics of faded eras, as if ideas like natural innocence, innate dignity, the inviolable spirit, and the triumph of art over reality were immured in some kind of immortal shrine, immune to the ravages of history and time. But these ideas have been ravaged, and in Admitting the Holocaust. Langer presents a series of essays that represent his effort, over nearly a decade, to wrestle with this rupture in human values--and to see the Holocaust as it really was. His vision is necessarily dark, but he does not see the Holocaust as a warrant for futility, or as a witness to the death of hope. It is a summons to reconsider our values and rethink what it means to be a human being. These penetrating and often gripping essays cover a wide range of issues, from the Holocaust's relation to time and memory, to its portrayal in literature, to its use and abuse by culture, to its role in reshaping our sense of history's legacy. In many, Langer examines the ways in which accounts of the Holocaust--in history, literature, film, and theology--have extended, and sometimes limited, our insight into an event that is often said to defy understanding itself. He singles out Cynthia Ozick as one of the few American writers who can meet the challenge of imagining mass murder without flinching and who can distinguish between myth and truth. On the other hand, he finds Bernard Malamud's literary treatment of the Holocaust never entirely successful (it seems to have been a threat to Malamud's vision of man's basic dignity) and he argues that William Styron's portrayal of the commandant of Auschwitz in Sophie's Choice pushed Nazi violence to the periphery of the novel, where it disturbed neither the author nor his readers. He is especially acute in his discussion of the language used to describe the Holocaust, arguing that much of it is used to console rather than to confront. He notes that when we speak of the survivor instead of the victim, of martyrdom instead of murder, regard being gassed as dying with dignity, or evoke the redemptive rather than grevious power of memory, we draw on an arsenal of words that tends to build verbal fences between what we are mentally willing--or able--to face and the harrowing reality of the camps and ghettos. A respected Holocaust scholar and author of Holocaust Testimonies: The Ruins of Memory, winner of the 1991 National Book Critics Circle Award for criticism, Langer offers a view of this catastrophe that is candid and disturbing, and yet hopeful in its belief that the testimony of witnesses--in diaries, journals, memoirs, and on videotape--and the unflinching imagination of literary artists can still offer us access to one of the darkest episodes in the twentieth century.
Flares of Memory: Stories of Childhood during the Holocaust
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In a series of writing workshops at the Holocaust Center of Pittsburgh, survivors assembled recently to remember the pivotal moments in which their lives were irreparably changed by the Nazis. These "flares of memory" invoke lost childhoods, preserving the voices of over forty Jews fromthroughout Europe who experienced a history that cannot be forgotten--by them nor us. Including a timeline that chronicles the rise of the Nazis, their devastating campaigns for control of Europe, and the successive edicts that would annihilate millions, Flares of Memory consists of 92 brief vignettes arranged both chronologically and thematically. Survivors from Munich, Austria,Poland, Hungary, Lithuania, and the Netherlands recreate the disbelief and chaos that ensued as families were separated, political rights were abolished, and synagogues and Jewish businesses were destroyed--before and especially after Kristallnacht. "We had entered a twilight zone between memoriesof earning our keep at our occupations and the fear of becoming game during hunting season," writes one survivor. Others remember the daily humiliation, the quiet heroes among their friends, and the painful abandonment by neighbors as Jews were restricted to ghettos, forced to don yellow stars, andloaded like cattle in trains destined for the camps: "We were completely stripped of all human identity." Vivid memories of hunger, disease, and a daily existence dependent on cruel luck in Dachau, Auschwitz, and other concentration camps provide penetrating testimonies to the ruthlessness of theNazi killing machine, yet they also bear witness to the resilience and fortitude of individual souls bombarded by evil. This book also includes poignant recollections of American liberators who were often devastated by the horrors that they discovered after the fall of the Nazis. "A mix of emotions--disbelief, rage--overwhelmed us; tears blinded our eyes," recalls one soldier. Flares of Memory will inspire theseemotions and will stay with you, long after you finish its pages.
Holocaust Literature
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What is Holocaust literature? When does it begin and how is it changing? Is there an essential core that consists of diaries, eyewitness accounts of the concentration camps, and tales of individual survival? Is it the same everywhere: West and East, in Australia as in the Americas, in poetry as in prose? Is this literature sacred and separate, or can it be studied alongside other responses to catastrophe? What works of Holocaust literature will be read a hundred years from now--and why? Here, for the first time, is a historical survey of Holocaust literature in all genres, countries, and major languages. Beginning in wartime, it proceeds from the literature of mobilization and mourning in the Free World to the vast literature produced in Nazi-occupied ghettos, bunkers and places of hiding, transit and concentration camps. No less remarkable is the new memorial literature that begins to take shape within weeks and months of the liberation. Moving from Europe to Israel, the United States, and beyond, the authors situate the writings by real and proxy witnesses within three distinct postwar periods: "communal memory," still internal and internecine; "provisional memory" in the 1960s and 1970s, when a self-conscious Holocaust genre is born; and "authorized memory," in which we live today. Twenty book covers--first editions in their original languages--and a guide to the "first hundred books" show the multilingual scope, historical depth, and artistic range of this extraordinary body of writing.
Anne Frank: Her Life in Words and Pictures from the Archives of the Anne Frank House
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Produced in association with The Anne Frank House and filled with never-before-published snapshots, school pictures, and photos of the diary and the Secret Annex, this elegantly designed album is both a stand-alone introduction to Anne's life and a photographic companion to a classic of Holocaust literature.
