October is the perfect month to explore the influential works of modern horror. Although horror stories have been around since ancient times in the form of folklore, this display focuses mostly on the period between the 18th century, when Gothic horror came on the scene, and the modern day. Designed to provoke fear or discomfort, horror can delve into individual fears or the fears of society as a whole. The best horror provides a sense of catharsis.
American Gothic by
American Gothic remains an enduringly fascinating genre, retaining its chilling hold on the imagination. This revised and expanded anthology brings together texts from the colonial era to the twentieth century including recently discovered material, canonical literary contributions from Poe and Wharton among many others, and literature from sub-genres such as feminist and 'wilderness' Gothic. Revised and expanded to incorporate suggestions from twelve years of use in many countries An important text for students of the expanding field of Gothic studies Strong representation of female Gothic, wilderness Gothic, the Gothic of race, and the legacy of Salem witchcraft Edited by a founding member of the International Gothic Association
At the Mountains of Madness by
This classic mind-shattering tale, which "ranks high among the horror stories of the English language," plunges into the darkness of the Cthulhu mythos (Time). In the uncharted wastes of Antarctica, an exploration party from Miskatonic University encounters a gory sight when they discover their advance team's camp has been destroyed and its members slaughtered. There is no evidence of what happened except a series of burial mounds, six of which contain dead specimens of unknown species. Eight similar tombs are empty, but they haven't been broken into--they've been broken out of. What began as a search for knowledge soon becomes a terrifying confrontation with the true nature of the world and the universe in all its stark blackness and unyielding oblivion. For mankind is not--and never has been--the bright light of creation. It's all a mistake, an insignificant stain of existence, forgotten by an unwitting and indifferent creator . . . until now. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Blood Thirst by
In the past hundred years, since the publication of Bram Stoker's infamous book, no literary figure has enjoyed a more horrific resiliency than Count Dracula. In film, television, novels, and short stories, he keeps coming back to life, fed by the vital imaginative energies of aworld-wide audience that cannot seem to resist his abominable charms. Aristocratic and urbane, deeply erotic and profoundly evil, Dracula's bloodsucking savagery has cast a mesmerizing fascination not only over his victims but over his readers as well. And, as Leonard Wolf suggests, "Vampirefiction...exerts an amazing pull on readers for a reason that we may find disturbing. The blood exchange--the taking of blood by the vampire from his or her victim is, all by itself, felt to be a singularly symbolic event. Symbolic and attractive!"Now, in Blood Thirst: One Hundred Years of Vampire Fiction, Leonard Wolf brings together thirty tales in which vampires of all varieties make their ghastly presence felt--male and female, human and non-human, humorous and heroic--all of them kin to the dreadful bat. From Lafcadio Hearn, MaryE. Wilkins-Freeman, Edith Wharton, August Derleth, and Ray Bradbury to such contemporary masters as Anne Rice, Stephen King, Joyce Carol Oates, John Cheever, and Woody Allen, and in settings as diverse as rural New England and outer space, this collection offers readers a dazzling compendium ofvampire stories. Wolf organizes the collection into six categories--The Classic Adventure Tale, The Psychic Vampire, The Science Fiction Vampire, The Non-Human Vampire, The Comic Vampire, and The Heroic Vampire--which allows readers to see the many guises Dracula's descendants have assumed and themany ways they can be interpreted. In his penetrating introduction, Wolf argues that such an arrangement enables us to see the evolution of the vampire from an unmitigated evil to a creature we are more likely to identify with. "In a century in which God and Satan have become increasingly irrelevantin the popular arts, there has been an accompanying secularization of the vampire idea. And, as the stories in Blood Thirst will show, sympathy for the vampire has grown as we have become increasingly interested in the workings of the mind." Indeed, the vampire's ability to change over time, to drawinto itself such a richness of symbolic meanings, to conjure itself into so many diabolical shapes, may account for the enduring appeal of the literature written about it.Here, then, is a definitive collection for aficionados and novices alike, and whether readers find the vampires who inhabit these pages sympathetic or horrific, psychologically intriguing or spiritually repellent, morbidly seductive or comically absurd, Blood Thirst gives us all something tosink our teeth into.
Carmilla by
First serialized in the journal "The Dark Blue" and published shortly thereafter in the short story collection In a Glass Darkly, Le Fanu's 1872 vampire tale is in many ways the overlooked older sister of Bram Stoker's more acclaimed Dracula. A thrilling gothic tale, Carmilla tells the story of a young woman lured by the charms of a female vampire. This edition includes a student-oriented introduction, tracing the major critical responses to Carmilla, and four interdisciplinary essays by leading scholars who analyze the story from a variety of theoretical perspectives. Ranging from politics to gender, Gothicism to feminism, and nineteenth-century aestheticism to contemporary film studies, these critical yet accessible articles model the diverse ways that scholars can approach a single text. With a glossary, biography, bibliography, and explanatory notes on the text, this edition is ideal for students of Irish and British nineteenth-century literature.
Dracula by
The vampire novel that defined a genre by tapping into our deepest fears and darkest fantasies A junior solicitor travels to Transylvania to meet with an important client, the mysterious Count Dracula. Ignoring the dire warnings of local townsfolk, he allows himself to be seduced by the count's courtly manners and erudite charm. Too late, the solicitor realizes that he is a prisoner of Castle Dracula, his guards a trio of voluptuous young women with sharp white teeth and a taste for blood. Soon thereafter, the solicitor's fiancée, Mina, visits a friend on the English coast. The town is full of speculation over a Russian ship run aground nearby, its crew missing, the dead body of its captain, crucifix in hand, lashed to the wheel. A giant dog was seen leaping from the deck before disappearing into the countryside. The ship's cargo: fifty boxes of Transylvanian dirt. As the beautiful Mina will soon learn, Count Dracula has arrived. At once a Gothic reflection of the Victorian era and a timeless tale of sinister lust, Bram Stoker's Dracula has inspired countless adaptations--none with the same power to quicken the pulse as the original. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Frankenstein by
Victor Frankenstein, a young university student, becomes obsessed with discovering the secret to creating life. Over several months, he builds a creature out of body parts stolen from graves. Yet after he brings his work to life, Victor becomes terrified and, wanting nothing to do with his creation, abandons the "monster." Rejected by the world because of his appearance, the monster lives in hiding but searches for his creator. When he encounters Victor, the monster begs for compassion, and receiving none, threatens revenge. This is an unabridged version of the first edition of Mary Wollstonecraft Shelley's haunting Gothic novel, originally published in England in 1818.
The Mysteries of Udolpho by
The Mysteries of Udolpho (1794) is the archetypal Gothic novel. A young woman, Emily St. Aubert, suffers the death of her father, followed by worsening physical and psychological death, mirrored in a landscape of crumbling castles and emotive Alps.
Northanger Abbey by
Jane Austen's gripping first novel of love and marriage. The well-bred Miss Catherine Morland always seems to have her nose stuck in a book, and the Gothic classics are her favorites. During the winter social season, she catches the eyes of two men: the sweet and witty Henry Tilney and the vain John Thorpe. When Catherine is invited to the Tilney family estate of Northanger Abbey, she expects to be met with the brooding and dramatic architecture of her novels, full of hidden secrets behind locked doors. What she finds is even better. This ebook has been professionally proofread to ensure accuracy and readability on all devices.
Scare Tactics by
Scare Tactics identifies an important but overlooked tradition of supernatural writing by American women. Jeffrey Weinstock analyzes this tradition as an essentially feminist attempt to imagine alternatives to a world of limited possibilities. In the process, he recovers the lives and works of authors who were important during their lifetimes and in the development of the American literary tradition, but who are not recognized today for their contributions. Between the end of the Civil War and roughly 1930, hundreds of uncanny tales were published by women in the periodical press and in books. These include stories by familiar figures such as Edith Wharton, Harriet Beecher Stowe, and Charlotte Perkins Gilman, as well as by authors almost wholly unknown to twenty-first-century readers, such as Josephine Dodge Bacon, Alice Brown, Emma Frances Dawson, and Harriet Prescott Spofford. Focusing on this tradition of female writing offers a corrective to the prevailing belief within American literary scholarship that the uncanny tale, exemplified by the literary productions of Irving, Poe, and Hawthorne, was displaced after the Civil War by literary realism. Beyond the simple existence of an unacknowledged tradition of uncanny literature by women, Scare Tactics makes a strong case that this body of literature should be read as a specifically feminist literary tradition. Especially intriguing, Weinstock demonstrates, is that women authors repeatedly used Gothic conventions to express discontentment with circumscribed roles for women creating types of political intervention connected to the broader sphere of women's rights activism. Paying attention to these overlooked authors helps us better understand not only the literary marketplace of their time, but also more familiar American Gothicists from Edgar Allan Poe to Shirley Jackson to Stephen King.
Selected Tales by
Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction.Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favour of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question theintegrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem `mysterious' in the first place. Attentive to the historical and political dimensions of these very American tales, this new criticaledition selects twenty-four tales and places the most popular - `The Fall of the House of Usher', `The Masque of the Red Death', `The Murders in the Rue Morgue; and `The Purloined Letter' - alongside less well-known travel narratives, metaphysical essays and political satires.
The Strange Case of Dr. Jekyll and Mr. Hyde by
Dr. Henry Jekyll is a well-known gentleman living in London. He seems perfectly normal--that is, until he wills his estate to Mr. Edward Hyde, a wicked figure who had assaulted a young girl. Dr. Jekyll's lawyer and friend, Mr. Utterson finds this decision alarming, but Dr. Jekyll calms his fears. For a while, all is well, but then a witness sees Mr. Hyde commit a murder, and soon after Dr. Jekyll begins to act strangely. When Dr. Jekyll suddenly refuses to leave his laboratory, Mr. Utterson is left to uncover the truth, discovering that the respected Dr. Jekyll and the crude Mr. Hyde are not so different after all. This unabridged version of Robert Louis Stevenson's Gothic novella, first published in England in 1886, takes on the classic struggle between good and evil.
The Turn of the Screw by
The Turn of the Screw is s ghostly Gothic tale by Henry James. A masterpiece in ambivalence and the uncanny, The Turn of the Screw tells the story of a young woman who is hired as governess to two seemingly innocent children in an isolated country house. As the tale progresses she begins to see the ghost of her dead predecessor. Or does she? The story is so ambivalent and eerie, such a psychological thriller, that few can agree on exactly what takes place...
Gothic Literary Studies by
This book explores the history of the paranormal romance genre; from its origins in the revisionist horror fiction of the 1970s, via its emergence as a minor sub-genre of romantic fiction in the early 1990s, to its contemporary expansion in recent years into an often-controversial genre of mainstream fiction. Tracing the genre from its roots in older Gothic fiction written by and for women, it explores the interconnected histories of Gothic and romantic fiction, from Ann Radcliffe and Jane Austen in the eighteenth century to Buffy, Twilight, True Blood and The Vampire Diaries in the present day. In doing so, it investigates the extent to which the post-Twilight paranormal romance really does represent a break from older traditions of Gothic fiction - and just what it is about the genre that has made it so extraordinarily divisive, captivating millions of readers whilst simultaneously infuriating and repelling so many others.
Gothicka by
The Gothic has taken a revolutionary turn in this century. Today's Gothic has fashioned its monsters and devils into heroes and angels and is actively reviving supernaturalism in popular culture. Nelson argues that this mainstreaming of a spiritually driven supernaturalism is a harbinger of what a post-Christian religion in America might look like.
Dangerous Bodies by
Through an investigation of the body and its oppression by the church, the medical profession and the state, this book reveals the actual horrors lying beneath fictional horror in settings as diverse as the monastic community, slave plantation, operating theatre, Jewish ghetto and battlefield trench. The book provides original readings of canonical Gothic literary and film texts including The Castle of Otranto, The Monk, Frankenstein, Dracula and Nosferatu. This collection of fictionalised dangerous bodies is traced back to the effects of the English Reformation, Spanish Inquisition, French Revolution, Caribbean slavery, Victorian medical malpractice, European anti-Semitism and finally warfare, ranging from the Crimean up to the Vietnam War. The endangered or dangerous body lies at the centre of the clash between victim and persecutor and has generated tales of terror and narratives of horror, which function to either salve, purge or dangerously perpetuate such oppositions. This ground-breaking book will be of interest to academics and students of Gothic studies, gender and film studies and especially to readers interested in the relationship between history and literature.
A New Companion to the Gothic by
The thoroughly expanded and updated New Companion to the Gothic, provides a series of stimulating insights into Gothic writing, its history and genealogy. The addition of 12 new essays and a section on 'Global Gothic' reflects the direction Gothic criticism has taken over the last decade. Many of the original essays have been revised to reflect current debates Offers comprehensive coverage of criticism of the Gothic and of the various theoretical approaches it has inspired and spawned Features important and original essays by leading scholars in the field The editor is widely recognized as the founder of modern criticism of the Gothic
Shirley Jackson's American Gothic by
Argues that Jackson's anticipation of postmodernism ranks her among the most significant writers of her time. Best known for her short story "The Lottery" and her novel The Haunting of Hill House, Shirley Jackson produced a body of work that is more varied and complex than critics have realized. In fact, as Darryl Hattenhauer argues here, Jackson was one of the few writers to anticipate the transition from modernism to postmodernism, and therefore ranks among the most significant writers of her time. The first comprehensive study of all of Jackson's fiction, Shirley Jackson's American Gothic offers readers the chance not only to rediscover her work, but also to see how and why a major American writer was passed over for inclusion in the canon of American literature. Darryl Hattenhauer is Associate Professor of English at Arizona State University West.
21st-Century Gothic by
Selected by a poll of more than 180 Gothic specialists (creative writers, professors, critics, and Gothic Studies program developers at universities), the fifty-three original works discussed in 21st-Century Gothic represent the most impressive Gothic novels written around the world between 2000-2010. The essays in this volume discuss the merits of these novels, highlighting the influences and key components that make them worthy of inclusion. Many of the pioneer voices of Gothic Studies, as well as other key critics of the field, have all contributed new essays to this volume, including David Punter, Jerrold Hogle, Karen F. Stein, Marie Mulvey-Roberts, Mary Ellen Snodgrass, Tony Magistrale, Don D'Ammassa, Mavis Haut, Walter Rankin, James Doig, Laurence A. Rickels, Douglass H. Thomson, Sue Zlosnik, Carol Margaret Davision, Ruth Bienstock Anolik, Glennis Byron, Judith Wilt, Bernice Murphy, Darrell Schweitzer, and June Pulliam. The guide includes a preface by one of the world's leading authorities on the weird and fantastic, S. T. Joshi. Sharing their knowledge of how traditional Gothic elements and tensions surface in a changed way within a contemporary novel, the contributors enhance the reader's dark enjoyment, emotional involvement, and appreciation of these works. These essays show not only how each of these novels are Gothic but also how they advance or change Gothicism, making the works both irresistible for readers and establishing their place in the Gothic canon.
A History of Horror by
Ever since horror leapt from popular fiction to the silver screen in the late 1890s, viewers have experienced fear and pleasure in exquisite combination. Wheeler Winston Dixon's A History of Horror is the only book to offer a comprehensive survey of this ever-popular film genre. Arranged by decades, with outliers and franchise films overlapping some years, this one-stop sourcebook unearths the historical origins of characters such as Dracula, Frankenstein, and the Wolfman and their various incarnations in film from the silent era to comedic sequels. A History of Horror explores how the horror film fits into the Hollywood studio system and how its enormous success in American and European culture expanded globally over time. Dixon examines key periods in the horror film-in which the basic precepts of the genre were established, then banished into conveniently reliable and malleable forms, and then, after collapsing into parody, rose again and again to create new levels of intensity and menace. A History of Horror, supported by rare stills from classic films, brings over fifty timeless horror films into frightfully clear focus, zooms in on today's top horror Web sites, and champions the stars, directors, and subgenres that make the horror film so exciting and popular with contemporary audiences.
Ghosts of the Gothic by
In a fascinating study of what, during the last decade, rekindled an avid readership, Judith Wilt proposes a new theory of Gothic fiction that challenges its reputation as merely a formula to be outgrown or a stock of images for the creation of terror. Emphasizing instead its status as an enduring component of the imagination, she establishes the Gothic as the mothering" form for three other popular genres--detective, historical, and science fiction. Originally published in 1980. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Gothic Kinship by
Although the preoccupation of Gothic storytelling with the family has often been observed, it invites a more systematic exploration. Gothic kinship brings together case studies of Gothic kinship ties in film and literature and offers a synthesis and theorisation of the different appearances of the Gothic family.Writers discussed include early British Gothic writers such as Eleanor Sleath and Louisa Sidney Stanhope as well as a range of later authors writing in English, including Elizabeth Gaskell, William March, Stephen King, Poppy Z. Brite, Patricia Duncker, J. K. Rowling and Audrey Niffenegger. There are also essays on Dutch authors (Louis Couperus and Renate Dorrestein) and on the film directors Wes Craven and Steven Sheil.Arranged chronologically, the various contributions show that both early and contemporary Gothic display very diverse kinship ties, ranging from metaphorical to triangular, from queer to nuclear-patriarchal. Gothic proves to be a rich source of expressing both subversive and conservative notions of the family.Gothic kinship will be of interest to academics and students of European and American Gothic in literature and film, gender studies and cultural studies.
Vampire Legends in Contemporary American Culture by
While vampire stories have been part of popular culture since the beginning of the nineteenth century, it has been in recent decades that they have become a central part of American culture. Vampire Legends in Contemporary American Culture looks at how vampire stories -- from Bram Stoker's Dracula to Blacula, from Bela Lugosi's films to Love at First Bite -- have become part of our ongoing debate about what it means to be human. William Patrick Day looks at how writers and filmmakers as diverse as Anne Rice and Andy Warhol present the vampire as an archetype of human identity, as well as how many post-modern vampire stories reflect our fear and attraction to stories of addiction and violence. He argues that contemporary stories use the character of Dracula to explore modern values, and that stories of vampire slayers, such as the popular television series Buffy the Vampire Slayer, integrate current feminist ideas and the image of the Vietnam veteran into a new heroic version of the vampire story.
The Philosophy of Horror by
The terrorist attacks of September 11, 2001, shattered the prevalent optimism in the United States that had blossomed during the tranquil and prosperous 1990s, when democracy seemed triumphant and catastrophic wars were a relic of the past. President George W. Bush responded with a bold and controversial grand strategy for waging a preemptive Global War on Terror, which has ignited passionate debate about the purposes of American power and the nation's proper role in the world. In Defense of the Bush Doctrine offers a vigorous argument for the principles of moral democratic realism that inspired the Bush administration's policy of regime change in Iraq. The Bush Doctrine rests on two main pillars -- the inadequacy of deterrence and containment strategies when dealing with terrorists and rogue regimes, and the culture of tyranny in the Middle East, which spawns aggressive secular and religious despotisms. Two key premises shape Kaufman's case for the Bush Doctrine's conformity with moral democratic realism. The first is the fundamental purpose of American foreign policy since its inception: to ensure the integrity and vitality of a free society "founded upon the dignity and worth of the individual." The second premise is that the cardinal virtue of prudence (the right reason about things to be done) must be the standard for determining the best practicable American grand strategy. In Defense of the Bush Doctrine provides a broader historical context for the post--September 11 American foreign policy that will transform world politics well into the future. Kaufman connects the Bush Doctrine and current issues in American foreign policy, such as how the U.S. should deal with China, to the deeper tradition of American diplomacy. Drawing from positive lessons as well as cautionary tales from the past, Kaufman concludes that moral democratic realism offers the most compelling framework for American grand strategy, as it expands the democratic zone of peace and minimizes the number and gravity of threats the United States faces in the modern world.
The Victorian Gothic by
The first multi-disciplinary scholarly consideration of the Victorian Gothic These 14 chapters, each written by an acknowledged expert in the field, provide an invaluable insight into the complex and various Gothic forms of the nineteenth century. Covering a range of diverse contexts, the chapters focus on science, medicine, Queer theory, imperialism, nationalism, and gender. Together with further chapters on the ghost story, realism, the fin de siècle, pulp fictions, sensation fiction, and the Victorian way of death, the Companion provides the most complete overview of the Victorian Gothic to date.The book is an essential resource for students and scholars working on the Gothic, Victorian literature and culture, and critical theory.Key Features*First multi-authored thorough exploration of the Victorian Gothic*Original research in all chapters*Sets the agenda for future scholarship in the field*Pedagogically awareKey WordsVictorian, Gothic, Science, Gender, Nationalism, Death, Supernatural, Ghost, Death
The Age of Lovecraft by
Co-winner, Ray & Pat Browne Award for Best Edited Collection in Popular Culture and American Culture Howard Phillips Lovecraft, the American author of "weird tales"who died in 1937 impoverished and relatively unknown, has become a twenty-first-century star, cropping up in places both anticipated and unexpected. Authors, filmmakers, and shapers of popular culture like Stephen King, Neil Gaiman, and Guillermo del Toro acknowledge his influence; his fiction is key to the work of posthuman philosophers and cultural critics such as Graham Harman and Eugene Thacker; and Lovecraft's creations have achieved unprecedented cultural ubiquity, even showing up on the animated program South Park.The Age of Lovecraft is the first sustained analysis of Lovecraft in relation to twenty-first-century critical theory and culture, delving into troubling aspects of his thought and writings. With contributions from scholars including Gothic expert David Punter, historian W. Scott Poole, musicologist Isabella van Elferen, and philosopher of the posthuman Patricia MacCormack, this wide-ranging volume brings together thinkers from an array of disciplines to consider Lovecraft's contemporary cultural presence and its implications. Bookended by a preface from horror fiction luminary Ramsey Campbell and an extended interview with the central author of the New Weird, China Miéville, the collection addresses the question of "why Lovecraft, why now?"through a variety of approaches and angles. A must for scholars, students, and theoretically inclined readers interested in Lovecraft, popular culture, and intellectual trends, The Age of Lovecraft offers the most thorough examination of Lovecraft's place in contemporary philosophy and critical theory to date as it seeks to shed light on the larger phenomenon of the dominance of weird fiction in the twenty-first century.Contributors: Jessica George; Brian Johnson, Carleton U; James Kneale, U College London; Patricia MacCormack, Anglia Ruskin U, Cambridge; Jed Mayer, SUNY New Paltz; China Miéville, Warwick U; W. Scott Poole, College of Charleston; David Punter, U of Bristol; David Simmons, Northampton U; Isabella van Elferen, Kingston U London.
American Nightmares by
When Edgar Allan Poe set down the tale of the accursed House of Usher in 1839, he also laid the foundation for a literary tradition that has assumed a lasting role in American culture. "The House of Usher" and its literary progeny have not lacked for tenants in the century and a half since: writers from Nathaniel Hawthorne to Stephen King have taken rooms in the haunted houses of American fiction. Dale Bailey traces the haunted house tale from its origins in English gothic fiction to the paperback potboilers of the present, highlighting the unique significance of the house in the domestic, economic, and social ideologies of our nation. The author concludes that the haunted house has become a powerful and profoundly subversive symbol of everything that has gone nightmarishly awry in the American Dream.
Kentucky Hauntings by
During the four years of the Civil War, the border between eastern Kentucky and southwestern Virginia was highly contested territory, alternately occupied by both the Confederacy and the Union. Though this territory was sparsely populated, the geography of the region made it a desirable stronghold for future tactical maneuvers. As the war progressed, the Cumberland Gap quickly became the target of invasion and occupation efforts of both armies, creating a chaos that would strain not only the soldiers but all those who called the area their home. Contested Borderland examines the features of the region's geography and the influence of the attacks on borderlands caught in the crossfire of the Union and Confederate forces. The land surrounding the Kentucky-Virginia border contained valuable natural resources and geographic features considered essential to each army's advancement and proliferation. While the Appalachian Mountains barred travel through large parts of the region, the gaps allowed quick passages through otherwise difficult terrain and thus became hotly contested areas. Brian D. McKnight explores the tensions between the accomplishment of military goals and the maintenance of civilian life in the region. With Kentucky remaining loyal to the Union and Virginia seceding to the Confederacy, populations residing between the two states faced pressure to declare loyalty to one side. Roadside towns found themselves the frequent hosts of soldiers from both sides, while more remote communities became shelters for those wishing to remain uninvolved in the conflict. Instead of committing themselves to either cause, many individuals claimed a neutral stance or feigned dedication to whichever side happened to occupy their land. The dual occupation of the Union and Confederate armies consequentially divided the borderland population, creating hostilities within the region that would persist long after the war's conclusion. Contested Borderland is the first Civil War study exclusively devoted to the border separating eastern Kentucky and southwestern Virginia. McKnight's unprecedented geographical analysis of military tactics and civilian involvement provides a new and valuable dimension to the story of a region facing the turmoil of war.
Urban Legends by
Recounts dozens of stories that have become part of contemporary folklore even though they have no basis in fact, and reveals the truth behind each legend.
The Ghost Story, 1840-1920 by
The Ghost Story 1840-1920: A Cultural History examines the British ghost story within the political contexts of the long nineteenth century. By relating the ghost story to economic, national, colonial and gendered contexts' it provides a critical re-evaluation of the period.The conjuring of a political discourse of spectrality during the nineteenth century enables a culturally sensitive reconsideration of the work of writers including Dickens, Collins, Charlotte Riddell, Vernon Lee, May Sinclair, Kipling, Le Fanu, Henry James and M.R. James. Additionally, a chapter on the interpretation of spirit messages reveals how issues relating to textual analysis were implicated within a language of the spectral. This book is the first full-length study of the British ghost story in over 30 years and it will be of interest to academics, graduate students and advanced undergraduates working on the Gothic, literary studies, historical studies, critical theory and cultural studies.
Spookiest Stories Ever by
If tree branches scratching at your window on a stormy April night or the hot, sticky oppression of a stifling summer's day puts fear into your heart. Or rustling November leaves, and the chill that sneaks into your bones during the darkened days of winter makes you quiver with anxiety, then reading spooky thrillers shouldn't wait until October. From masterful storytelling duo Roberta and Lonnie Brown comes Spookiest Stories Ever: Four Seasons of Kentucky Ghosts, a creepy collection of tales from their home state. Featuring familiar Kentucky landmarks such as the Palace Theater and the Waverly Hills Sanatorium in Louisville and Shaker Village of Pleasant Hill, these accounts from across the commonwealth are sure to put a tingle in the reader's spine. These notable stories, including tales of the "chime child" who can see and talk to ghosts, graveside appearances, and the Spurlington Witch of Taylor County, occur in all four seasons and come from every corner of Kentucky. An essential part of the American storytelling tradition, these ghost stories will delight readers who love getting goose bumps all year long.
Ghosts of the Wild West by
Once deemed the "custodian of the twilight zone" by Southern Living, celebrated storyteller and ghost hunter Nancy Roberts returns to familiar subject matter in this newly expanded edition of her Ghosts of the Wild West, a finalist for the Spur Award of the Western Writers of America in its original edition. In these seventeen ghostly tales-including five new stories-Roberts expertly guides readers through eerie encounters and harrowing hauntings across Kansas, Montana, Wyoming, Colorado, Arizona, New Mexico, Texas, and the Dakotas. Along the way her accounts intersect with the lives (and afterlives) of legendary figures such as Wild Bill Hickok, Wyatt Earp, Bat Masterson, and Doc Holliday. Roberts also justifies the fascination among ghost hunters, folklorists, and interested tourists with notoriously haunted locales such as Deadwood, Tombstone, and Abilene through her tales of paranormal legends linked to these gunslinger towns synonymous with violence and vice in Western lore. But not all of these encounters feature frightening specters or wandering souls. Roberts also details episodes of animal spirits, protective presences, and supernatural healings.
Mother Leakey and the Bishop by
Halloween 1636: sightings of the ghost of an old woman begin to be reported in the small English town of Minehead. December 1640: a disgraced Protestant bishop is hanged in Dublin, after being convicted of an 'unspeakable' crime. In this remarkable piece of historical detective work, Peter Marshall uncovers the intriguing links between these two seemingly unconnected events. The result is a compelling tale of dark family secrets and the story of a church scandal which cast its shadow over religion and politics in Britain and Ireland for three centuries, drawing in a host of characters, including Jonathan Swift and Walter Scott. Mother Leakey and the Bishop is a sparkling demonstration of how the telling of stories is central to the way we remember the past, and can become part of the fabric of history itself.
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